The use of plywood props, as in See-Saw, can be seen as an attempt to renegotiate the traditional horizontal stage and its relationship to the body.
Luca Frei's first question was how to consider the plywood prop for See-Saw and its relationship to the exhibition space and the other artworks in the exhibition, or how to make it speak when not in use?
The contribution to the piece consists in duplicating the sawhorses, to have two of them instead of one, and to have them placed in different points. Before a new performance, the dancers pick up the plank from the sawhorse where it was previously left, carry it through the exhibition to the other sawhorse, and start from there.
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Password: Simone Forti Malmö